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Meet China’s mistress of prophecy and disinformation

Once an American reporter, Naomi morphs into an AI-driven ‘Reverse Journalist’ for China. Surgically transplanted, part robot, part musical instrument, Naomi’s mission isn’t to report current events. She scripts the future on behalf of the Party…and then the future happens exactly as she predicts…until it doesn’t. A chance encounter with a Chinese architect forces Naomi’s discovery of a State secret. The rest isn’t silence. She acts.

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Naomi, half-human, half-cyborg, is beyond prescient. Born American, she’s a Reverse Journalist, working for China, the dominant global power of the 22nd century. Naomi’s mission isn’t to report currents. She applies algorithms to evaluate millions of political scenarios from a ‘Database of Crowds,’ forecasting the future with deadly precision.

Driven by voices she hears in her Logoharp, a neural instrument that doubles the size of her brain, Naomi translates both Party instructions and more mysterious signals from sources she can’t identify. She speaks and broadcasts in 104 world languages, ensuring citizen compliance.

But an encounter with a leading architect, Naomi’s former lover who abandoned her in youth, forces recollections of her human inheritance. When she’s tasked with finding a flaw in the architect’s system that “balances” births and deaths on behalf of the State, she grows uncomfortable, then furious. The rest isn’t silence. She acts.

Read a chapter except here!

Kris Tyte and Sean Snograss interview on Positively Pedestrian

WINNER: Nautilus Book Awards 2025 Silver (Science Fiction)
WINNER: Literary Titan Gold Book (2024)
FINALIST: American Fiction Awards (2024), Science Fiction/Cyberpunk
EDITOR’S PICK: Publisher’s Weekly Booklife (2024)
EDITOR’S CHOICE: The Reader’s House (UK, 2025

Interview with Don McCauley at The Author’s Show

What The Critics Say

Prepare to be swept away by an imperfect yet wildly relatable heroine.

In Arielle Emmett’s fevered imaginings one great and ancient state is able to dominate the rest using an unbeatable secret weapon. Logoharps. Creatures able to see into the future, ensuring the state is always a step ahead. That is, until one rebels. Imagine Mona Lisa Overdrive meshed with The Wind-Up Girl. That’s the kind of sci-fi ride you’re in for with The Logoharp.

KEVIN SITES, author of The Ocean Above Me

Loved The Logoharp!

It’s genuinely original, disturbing in a provocative way, occasionally funny and erotic, creative and well-paced—and I can’t get those ice sleighs out of myhead! Naomi is one strange—and beguiling—heroine.

LAURA BERMAN

feature writer, retired columnist, The Detroit News

In the world of The Logoharp, there is no security, not even an objective reality, only the reality created by journalism in reverse. Emmett’s’ novel creates a troubling vision of media that borders on propaganda in an AI-filled future.

HAMILTON BEAN, Ph.D.

author of No More Secrets: Open Source Information and the Reshaping of US Intelligence

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